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f mod▓ern Russian painting.The Alexander Mu●seum of St.Petersburg has iso?/p>

駆ated magnificent pieces of Ryepin, A●iwasowsky,[Pg 276] and the most be▓autiful sculptures of Antokolski; but▓ it cannot be compared with th▓e two thousand piec

Moret have●

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  • stayed. The most beaut
  • iful creation o●f t
  • his conscious devoti
  • on to Moscow is the●
  • donation of a simple
  • merchant, the posse
Moressio▓n

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es of the Trety●akov Gallery.The founder gave, besides ▓this invaluable collection, a building● for it, and a fund, from th

e▓ interest of which, even after his dea▓th, the collection might be augmented.Admiss▓ion, of course, is free to all; even fe▓es for coat checks may not be ▓co

Moreof which

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  • any city of the wo?/li>
  • 駌ld might envy—the T
  • retyakov Galler●y,
  • the largest and most valua
  • ble pr▓ivate collec
  • tion that exists anywh
Moreere.A ▓

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llected of its visitors. In this g●allery one realizes for the fi●rst time that Russian painting is about ▓at par with Russian literature, that it also ▓has its Tolstos, Turgenyevs, and Dostoyevskys▓.Above all, there is Ilya

Ryepin with ●a whole collection of portraits and l▓arge genre pictures.I have tried to sketch so▓me of those works of art elsewhere in▓ a special article devoted to this greatest of ▓Russian artists, and will not▓ repeat myself here.Let me only me●ntion the portraits of Leo Tolsto, copie▓s of which can now be found in the Wes▓t.The poet is here depicte

d once behind the p▓lough and again barefoot in his ▓garden, his hands in his belt,● his head thoughtfully sunk upon hi▓s breast.It is the best pictur▓e of Tolsto that exists.Once, whil▓e I was walking up and down in conversatio▓n with the poet in his room at Yasnaya Poly▓ana, I had to bite my tongu

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